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13-Jul-2016 09:10

read more An historic castle in the grand style, seat of the Manners family, Dukes of more Located in the heart of the Midlands with easy access by road and rail, Prestwold Hall is one of the region's premier stately homes.The house contains wonderful panelling and a collection of fine old master paintings.

Their number “Run and Tell That” was one of the first big hits of the evening.In the caption, the singer couldn't stop praising her time with the production, writing: "I don't know where to start. Related: Celebs React To So, it's no wonder stars and fans alike can't stop talking about the live, televised rendition of the Broadway hit!Ch-ch-check out the best Twitter reactions (below)!NBC also committed to investing in some kind of live audience for the event — with viewing parties in different cities around the country and a live audience on certain sets, including the crucial final number “You Can’t Stop the Beat.” It was a little unwieldy — perhaps Darren Criss, the host who handled most of the segues into commercial breaks, didn’t need to start chatting excitedly to the audience as the performers stopped singing; it made for a jarring transition.But it was still fun; the audience was being folded into the bigger experience, and when there wasn’t an audience around to clap, I missed them. ” felt like a 2016 update of the 1988 film, with a wink and nod at product placement, a lot of conversation about body positivity, and an unfortunately still-relevant story about racial acceptance and integration.

Their number “Run and Tell That” was one of the first big hits of the evening.

In the caption, the singer couldn't stop praising her time with the production, writing: "I don't know where to start. Related: Celebs React To So, it's no wonder stars and fans alike can't stop talking about the live, televised rendition of the Broadway hit!

Ch-ch-check out the best Twitter reactions (below)!

NBC also committed to investing in some kind of live audience for the event — with viewing parties in different cities around the country and a live audience on certain sets, including the crucial final number “You Can’t Stop the Beat.” It was a little unwieldy — perhaps Darren Criss, the host who handled most of the segues into commercial breaks, didn’t need to start chatting excitedly to the audience as the performers stopped singing; it made for a jarring transition.

But it was still fun; the audience was being folded into the bigger experience, and when there wasn’t an audience around to clap, I missed them. ” felt like a 2016 update of the 1988 film, with a wink and nod at product placement, a lot of conversation about body positivity, and an unfortunately still-relevant story about racial acceptance and integration.

The house has an interesting family history and a fascinating collection of early Dutch and Italian paintin...